How To Make Easy Paper Flower || āϏāĻšāϜ āĻ•āĻžāĻ—āĻœā§‡āϰ āĻĢ⧁āϞ || āĻ•āĻŋāĻ¨ā§āĻĄāĻžāϰāĻ—āĻžāĻ°ā§āĻŸā§‡āύ⧇āϰ āϜāĻ¨ā§āϝ āĻ•āĻžāĻ—āĻœā§‡āϰ āĻĢ⧁āϞ⧇āϰ āĻ•āĻžāϰ⧁āĻ•āĻžāϜ

āϕ⧀āĻ­āĻžāĻŦ⧇ āϏāĻšāĻœā§‡ āĻ•āĻžāĻ—āĻœā§‡āϰ āĻĢ⧁āϞ āϤ⧈āϰāĻŋ āĻ•āϰāĻŦ⧇āύ?
āĻāϟāĻŋ āĻŦāĻžāĻšā§āϚāĻžāĻĻ⧇āϰ āϜāĻ¨ā§āϝ āĻāĻ•āϟāĻŋ āĻ•āĻžāĻ—āĻœā§‡āϰ āĻĢ⧁āϞāĨ¤ āĻ­āĻŋāĻĄāĻŋāĻ“āϟāĻŋ āĻŽāύ⧋āϝ⧋āĻ— āϏāĻšāĻ•āĻžāϰ⧇ āĻĻ⧇āϖ⧁āύ, āĻĒā§āϰāĻ•ā§āϰāĻŋāϝāĻŧāĻžāϟāĻŋ āϖ⧁āĻŦāχ āϏāĻšāϜ āĻāĻŦāĻ‚ āφāĻĒāύāĻŋ āϘāϰ āϏāĻžāϜāĻžāύ⧋āϰ āϜāĻ¨ā§āϝ āϏāĻšāϜ āĻ•āĻžāĻ—āĻœā§‡āϰ āĻĢ⧁āϞ āϤ⧈āϰāĻŋ āĻ•āϰāϤ⧇ āĻĒāĻžāϰ⧇āύāĨ¤
āφāϰ⧋ āĻ­āĻŋāĻĄāĻŋāĻ“ āĻĒ⧇āϤ⧇ āϞāĻžāχāĻ•, āĻļ⧇āϝāĻŧāĻžāϰ āĻāĻŦāĻ‚ āϏāĻžāĻŦāĻ¸ā§āĻ•ā§āϰāĻžāχāĻŦ āĻ•āϰ⧁āύāĨ¤
āĻĒā§āϰāϝāĻŧā§‹āϜāύ⧀āϝāĻŧ āωāĻĒāĻ•āϰāĻŖ:
1. āĻ…āϰāĻŋāĻ—āĻžāĻŽāĻŋ āĻ•āĻžāĻ—āϜ āĻāĻŦāĻ‚
2. āĻ•āĻžāρāϚāĻŋ
3. āϰāĻ™āĻŋāύ āĻ•āϞāĻŽ
āφāĻŽāĻŋ āύāĻŋāĻļā§āϚāĻŋāϤ āϝ⧇ āφāĻĒāύāĻŋ āĻ•āĻžāĻ—āĻœā§‡āϰ āĻĢ⧁āϞ⧇āϰ āĻ āĻŋāĻ• āĻāĻ•āχ āφāωāϟāĻĒ⧁āϟ āĻĒāĻžāĻŦ⧇āύāĨ¤ āφāĻĒāύāĻŋ āϝāĻĻāĻŋ āϏāĻžāĻŦāϧāĻžāύ⧇ āφāĻŽāĻžāϰ āĻĒāĻĻāĻ•ā§āώ⧇āĻĒ / āύāĻŋāĻ°ā§āĻĻ⧇āĻļāĻžāĻŦāϞ⧀ āĻ…āύ⧁āϏāϰāĻŖ āĻ•āϰ⧁āύ. āĻāϟāĻž āϜ⧁āĻĄāĻŧ⧇ āϖ⧁āĻŦ āϏ⧁āĻ¨ā§āĻĻāϰ āĻĻ⧇āĻ–āĻžāϝāĻŧ. āφāĻĒāύāĻŋ āĻ¸ā§āϕ⧁āϞ āĻ…ā§āϝāĻžāϏāĻžāχāύāĻŽā§‡āĻ¨ā§āϟ āĻšāĻŋāϏāĻžāĻŦ⧇ āχāϜāĻŋ āĻĒ⧇āĻĒāĻžāϰ āĻĢā§āϞāĻžāĻ“āϝāĻŧāĻžāϰ āϤ⧈āϰāĻŋ āĻ•āϰāϤ⧇ āĻĒāĻžāϰ⧇āύāĨ¤

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Greeting Card Making With Paper And Glue: https://youtu.be/O-3wvNKt_m4 Easy

Duck Drawing For Kids : https://youtu.be/2VZs1WKvwWA Fish Origami Easy :https://youtu.be/FdaLzyq_EH8

How To Make A Easy Box : https://youtu.be/fpNpd3-yCaQ

How to Draw a Cow For Kids :https://youtu.be/1NuL95Zal4w

How to Make Paper CAT origami: https://youtu.be/KBX7rnta2Bg Monster Doodle Drawing:https://youtu.be/nhdqDLQzuOc

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Easy Paper Bird || Easy Paper Bird Making || Easy Paper Bird Craft

How to make Easy Paper Bird ? Watch the video carefully, the process is so easy and you can make Easy Paper Bird For Home Decoration. Like ,share and subscribe for more videos. Necessary Materials: 1. Origami paper & 2. Scissors 3. Color pen I am sure you will get exactly the same output of Paper Bird . If you follow my steps/ instructions carefully. It looks very beautiful throughout . You can make Easy Paper Bird as school assignment . _____________________________________________________________________ WATCH OUR OTHER VIDIOS:

Greeting Card Making With Paper And Glue: https://youtu.be/O-3wvNKt_m4

Easy Duck Drawing For Kids : https://youtu.be/2VZs1WKvwWA

Fish Origami Easy :https://youtu.be/FdaLzyq_EH8

How To Make A Easy Box : https://youtu.be/fpNpd3-yCaQ

How to Draw a Cow For Kids :https://youtu.be/1NuL95Zal4w

How to Make Paper CAT origami: https://youtu.be/KBX7rnta2Bg

Monster Doodle Drawing:https://youtu.be/nhdqDLQzuOc

Monster Doodles Art: https://youtu.be/Sngrad61Z1c

VISIT OUR SOCIAL LINKS: To buy ALL our ART MATERIALS and CRAFT products,

Visit: https://artwebbd.com/

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How To Make Paper Insect || Paper Insect Craft Ideas || DIY Paper Toys

https://youtu.be/LA-GBWTsk0I

How to make How to make Paper Insect ? This is a Paper Insect For Kids .Watch the video carefully, the process is so easy and you can make the Paper Insect as paper toy. Like ,share and subscribe for more videos. Necessary Materials: 1. Origami paper & 2. Scissors 3. Color pen I am sure you will get exactly the same output of Paper Insect . If you follow my steps/ instructions carefully. It looks very beautiful throughout . You can make it as school assignment . _____________________________________________________________________

WATCH OUR OTHER VIDIOS: Greeting Card Making With Paper And Glue: https://youtu.be/O-3wvNKt_m4

Easy Duck Drawing For Kids :https://youtu.be/2VZs1WKvwWA

Fish Origami Easy :https://youtu.be/FdaLzyq_EH8

How To Make A Easy Box : https://youtu.be/fpNpd3-yCaQ

How to Draw a Cow For Kids :https://youtu.be/1NuL95Zal4w

How to Make Paper CAT origami: https://youtu.be/KBX7rnta2Bg

Monster Doodle Drawing:https://youtu.be/nhdqDLQzuOc

Monster Doodles Art: https://youtu.be/Sngrad61Z1c

āφāĻĒāύāĻžāϰ āĻāĻ•ā§āϰ⧇āϞāĻŋāĻ• āĻĒ⧇āχāĻ¨ā§āϟāĻŋāĻ‚ āϏ⧀āϞ/āĻŦāĻžāĻ°ā§āύāĻŋāĻļ āĻ•āϰāĻž āωāϚāĻŋāϤ?

āφāĻĒāύāĻžāϰ āĻļāĻŋāĻ˛ā§āĻĒāĻ•āĻ°ā§āĻŽ āĻ­āĻžāϞāĻ­āĻžāĻŦ⧇  āϏāĻ‚āϰāĻ•ā§āώāϪ⧇āϰ āĻĒā§āϰāĻ•ā§āϰāĻŋāϝāĻŧāĻžāϰ āĻĒā§āϰāĻĨāĻŽ āϧāĻžāĻĒ āĻšāϞ āφāĻĒāύāĻžāϰ āĻāĻ•ā§āϰ⧇āϞāĻŋāĻ• āĻĒ⧇āχāĻ¨ā§āϟāĻŋāĻ‚āϕ⧇ āϏāĻŋāϞ āĻ•āϰāĻž āĻĒā§āϰāϝāĻŧā§‹āϜāύ āĻ•āĻŋāύāĻž āϤāĻž āύāĻŋāĻ°ā§āϧāĻžāϰāĻŖ āĻ•āϰāĻžāĨ¤āĻŦāĻžāĻ°ā§āύāĻŋāĻļ āĻĒā§āϰāϝāĻŧā§‹āϗ⧇āϰ āĻŦāĻŋāώāϝāĻŧ⧇ āϏāĻžāϧāĻžāϰāĻŖ āωāĻĻā§āĻŦ⧇āϗ⧇āϰ āĻŽāĻ§ā§āϝ⧇ āϰāϝāĻŧ⧇āϛ⧇ āĻĒā§āϰāĻ•ā§āϰāĻŋāϝāĻŧāĻžāϟāĻŋāϰ āĻ…āϏ⧁āĻŦāĻŋāϧāĻž, āĻĢāϞāĻžāĻĢāϞ āϏāĻŽā§āĻĒāĻ°ā§āϕ⧇ āĻ…āύāĻŋāĻļā§āϚāϝāĻŧāϤāĻž āĻāĻŦāĻ‚ āϕ⧋āύ āϧāϰāύ⧇āϰ āĻŦāĻžāĻ°ā§āύāĻŋāĻļ āĻŦā§āϝāĻŦāĻšāĻžāϰ āĻ•āϰāϤ⧇ āĻšāĻŦ⧇ āϏ⧇ āϏāĻŽā§āĻĒāĻ°ā§āϕ⧇ āĻ…āĻœā§āĻžāϤāĻžāĨ¤

Varnish artweb bd
Varnish artweb bd-1

āφāĻĒāύāĻžāϰ āĻāĻ•ā§āϰ⧇āϞāĻŋāĻ• āĻĒ⧇āχāĻ¨ā§āϟāĻŋāĻ‚ āϏāĻŋāϞ āĻ•āϰāĻžāϰ āϏ⧁āĻŦāĻŋāϧāĻžāϗ⧁āϞāĻŋ āĻ…āύ⧇āĻ• āĻ•ā§āώ⧇āĻ¤ā§āϰ⧇ āĻ¤ā§āϰ⧁āϟāĻŋ āϗ⧁āϞāĻŋāϕ⧇ āĻ›āĻžāĻĄāĻŧāĻŋāϝāĻŧ⧇ āϝāĻžāϝāĻŧāĨ¤

āĻāĻ•ā§āϰ⧇āϞāĻŋāĻ• āĻĒ⧇āχāĻ¨ā§āϟ āϏāĻŋāϞ āĻ•āϰāĻžāϰ āϏ⧁āĻŦāĻŋāϧāĻžāϗ⧁āϞāĻŋ āĻšāϞ:

*āĻĒ⧇āχāĻ¨ā§āϟāĻŋāĻ‚ āĻāϰ āĻšā§‚āĻĄāĻŧāĻžāĻ¨ā§āϤ āĻšā§‡āĻšāĻžāϰāĻžā§Ÿ āωāĻ¨ā§āύāϤ

*āϰāĻ‚ āĻ—āĻ­ā§€āϰ āĻ•āϰāĻž

*āĻ•āĻžāϜ āϰāĻ•ā§āώāĻž āĻ•āϰāĻž

*āĻ­āĻŦāĻŋāĻˇā§āϝāϤ⧇ āĻ›āĻŦāĻŋ āĻĒāϰāĻŋāĻˇā§āĻ•āĻžāϰ āĻ•āϰāĻžāϕ⧇  āϏāĻšāϜ āĻ•āϰāĻžāĨ¤

āφāĻĒāύāĻŋ āĻāĻ•āϟāĻŋ āĻāĻ•ā§āϰ⧇āϞāĻŋāĻ• āĻĒ⧇āχāĻ¨ā§āϟāĻŋāĻ‚ āϏāĻŋāϞ āĻ•āϰāϤ⧇ āĻ•āĻŋ āĻŦā§āϝāĻŦāĻšāĻžāϰ āĻ•āϰāĻŦ⧇āύ?

āĻāĻ•ā§āϰ⧇āϞāĻŋāĻ• āĻĒ⧇āχāĻ¨ā§āϟāĻŋāĻ‚ āϜāĻ¨ā§āϝ āϏ⧇āϰāĻž  āϕ⧇āĻŽā§āϞāĻŋāύ⧇āϰ āĻŦāĻžāĻ°ā§āύāĻŋāĻļāĨ¤ āϐāϤāĻŋāĻšā§āϝāĻ—āϤāĻ­āĻžāĻŦ⧇, āĻŦāĻžāĻ°ā§āύāĻŋāĻļāϟāĻŋ āĻĒā§āϰāĻžāĻ•ā§ƒāϤāĻŋāĻ• āωāĻĒāĻ•āϰāĻŖ āĻĨ⧇āϕ⧇ āϤ⧈āϰāĻŋ āĻ•āϰāĻž āĻšāϝāĻŧ⧇āĻ›āĻŋāϞ āĻāĻŦāĻ‚ āϚāĻŋāĻ¤ā§āϰāϗ⧁āϞāĻŋāϰ āωāĻĒāϰ āĻāĻ•āϟāĻŋ āφāĻŦāϰāĻŖ āĻšāĻŋāϏāĻžāĻŦ⧇ āĻ•āĻžāϜ āĻ•āϰ⧇ āϝāĻž āĻ…āĻĒāϏāĻžāϰāĻŖ āĻ•āϰāĻž āĻ“ āϏāĻšāϜāĨ¤

āĻŦāĻžāĻ°ā§āύāĻŋāĻļ āĻĒ⧁āϰāύ⧋ āĻšāϞ⧇, āĻāϟāĻŋ āϏāϰāĻžāύ⧋ āĻšā§Ÿ āĻāĻŦāĻ‚ āĻĒ⧁āύāϰāĻžāϝāĻŧ āĻĒā§āϰāϝāĻŧā§‹āĻ— āĻ•āϰāĻž āĻšāϝāĻŧ, āĻāĻ­āĻžāĻŦ⧇ āĻĒ⧇āχāĻ¨ā§āϟāĻŋā§Ÿā§‡ āϰāĻ™ āϏāĻ‚āϰāĻ•ā§āώāĻŋāϤ āĻšā§ŸāĨ¤

āĻŦāĻŋāĻœā§āĻžāĻžāύ⧇āϰ āĻŦāĻŋāĻ•āĻžāĻļ⧇āϰ āϏāĻžāĻĨ⧇ āϏāĻžāĻĨ⧇ āĻ•ā§ƒāĻ¤ā§āϰāĻŋāĻŽ āĻĒāĻĻāĻžāĻ°ā§āĻĨ āĻĨ⧇āϕ⧇ āϤ⧈āϰāĻŋ āĻ¸ā§āĻĨāĻžāϝāĻŧā§€ āĻŦāĻžāĻ°ā§āύāĻŋāĻļāϗ⧁āϞāĻŋ āφāϰāĻ“ āϏāĻžāϧāĻžāϰāĻŖ āĻšāϝāĻŧ⧇ āωāϠ⧇āϛ⧇āĨ¤

artweb bd afrina varnish

āφāĻŽāĻžāϰ āĻāĻ•ā§āϰ⧇āϞāĻŋāĻ• āĻĒ⧇āχāĻ¨ā§āϟāĻŋāĻ‚ āĻ•āĻ–āύ āĻŦāĻžāĻ°ā§āύāĻŋāĻļ āĻ•āϰāĻž āωāϚāĻŋāϤ?

āĻĒ⧇āχāĻ¨ā§āϟāĻŋāĻ‚ āϏāĻŽā§āĻĒā§‚āĻ°ā§āĻŖ āĻļ⧁āĻˇā§āĻ• āύāĻž āĻšāĻ“āϝāĻŧāĻž āĻĒāĻ°ā§āϝāĻ¨ā§āϤ āĻŦāĻžāĻ°ā§āύāĻŋāĻļāĻŋāĻ‚ āĻĒā§āϰāĻ•ā§āϰāĻŋāϝāĻŧāĻž āĻļ⧁āϰ⧁ āĻ•āϰāĻž āϝāĻžāĻŦ⧇ āύāĻžāĨ¤ āϝāĻĻāĻŋāĻ“ āĻŦāĻžāχāϰ⧇āϰ āĻ¸ā§āϤāϰāϟāĻŋ āφāρāĻ•āĻžāϰ āĻ•āϝāĻŧ⧇āĻ• āϘāĻ¨ā§āϟāĻž āĻĒāϰ⧇ āĻļ⧁āĻ•āĻŋāϝāĻŧ⧇ āϝ⧇āϤ⧇ āĻĒāĻžāϰ⧇, āϤāĻŦ⧇ āĻĒ⧇āχāĻ¨ā§āϟāϟāĻŋ āĻĒā§āϰāĻžāϝāĻŧāĻļāχ āύ⧀āĻšā§‡ āϭ⧇āϜāĻž āĻĨāĻžāϕ⧇āĨ¤ āĻŦ⧇āĻļāĻŋāϰāĻ­āĻžāĻ— āĻāĻ•ā§āϰāĻžāχāϞāĻŋāĻ• āĻĒ⧇āχāĻ¨ā§āϟāĻŋāĻ‚ āĻāĻ• āϏāĻĒā§āϤāĻžāĻš āĻĒāϰ⧇ āϏāĻŽā§āĻĒā§‚āĻ°ā§āĻŖ āĻļ⧁āĻ•āĻŋāϝāĻŧ⧇ āϝāĻžāĻ“āϝāĻŧāĻž āωāϚāĻŋāϤ, āϤāĻŦ⧇ āĻ•āĻŋāϛ⧁ āĻļāĻŋāĻ˛ā§āĻĒā§€ āύāĻŋāĻļā§āϚāĻŋāϤ āĻšāĻ“āϝāĻŧāĻžāϰ āϜāĻ¨ā§āϝ āφāϰāĻ“ āĻŦ⧇āĻļāĻŋ āϏāĻŽāϝāĻŧ āĻ…āĻĒ⧇āĻ•ā§āώāĻž āĻ•āϰ⧇āύāĨ¤

āĻĒ⧇āχāĻ¨ā§āĻŸā§‡āϰ āĻŦ⧇āϧ ; āĻŦā§āϝāĻŦāĻšā§ƒāϤ āĻ…āĻ¨ā§āϝāĻžāĻ¨ā§āϝ āĻŽāĻžāĻ§ā§āϝāĻŽ; āĻāĻŦāĻ‚ āϰ⧁āĻŽā§‡āϰ āφāĻ°ā§āĻĻā§āϰāϤāĻž, āϤāĻžāĻĒāĻŽāĻžāĻ¤ā§āϰāĻž āĻāĻŦāĻ‚ āĻŦāĻžāϝāĻŧ⧁āĻĒā§āϰāĻŦāĻžāĻš āĻļ⧁āĻ•āĻžāύ⧋āϰ āϏāĻŽāϝāĻŧāϕ⧇ āĻĒā§āϰāĻ­āĻžāĻŦāĻŋāϤ āĻ•āϰ⧇āĨ¤

Picasso and his artworks-1

Picasso And His Artworks

Picasso and his artwork: Our world is blessed by the artists who weave magic with their talent. Picasso’s paintings are a mirrored image of the magic Pablo Picasso wove in his time. A Spanish painter and sculptor who left his ineradicable mark on the twentieth century, painter continues to survive within the hearts and minds through his paintings.

The Treasure Of Picasso’s Paintings

Picasso paintings exhibit a soul of their own and are far-famed for his or her realistic look. they need been placed in numerous periods of his painting career specifically, the Blue, the Rose and also the Cubist periods. These paintings showcase Picasso’s talent and his fearlessness as a painter experimenting with completely different techniques and concepts.

Picasso treasured to color dead nature, musical instruments and friends. He went on the far side the foundations of teachers, exploring the painting art in his own manner. His paintings  stood tall and proud displaying a singularity of their own. Some notable paintings of painter embody- the 2 Saltimbanques (Harlequin And His Companion, 1901), Gertude Stein (1906), Les Demoiselles d’ Avignon (1907), Guernica (1937) and Weeping lady (1937).

Girl Before The Mirror(1932)
Les Demoiselles d’Avignon(1907)
Guernica (1937)
Picasso and his artwork-1
Three Musicians(1921)

Picasso’s ‘Guernica’ deserves a special mention as this painting is taken into account to be a strong statement in politics. portrayal the suffering and war induced  tragedy, this work is actually monumental and a mix of 2 designs, epic and pastoral.

These paintings are defined by their monochrome and cold effects, the coldness highlighted by the clever use of blue color. ‘La Vie’, ‘Evocation’, his ‘Self Portrait’ ar the names of a number of paintings from this era.

Paintings like ‘Woman With Crow’, ‘Acrobat With Young Harelequin’ and ‘Girl In Chemise’ ar from Picasso’s Rose amount and sometimes feature native individuals and characters from the industry.

Paintings just like the ‘Three Musicians’ and ‘Guitar’ marked the Cuban amount of Picasso’s art. The paintings delineate a transition of forms, from natural to geometric and angular.

His paintings represent themselves and are available alive in additional ways in which than one. They happen to be a standing image of types and ar a prized possession anyplace, anytime.

Paintings by painter were ne’er amateur. His art developed step by step, in phases, brightened and reinforced by expertise and real talent. His expression of raw emotions took one’s breath away and left one and every one probing for a lot of.

Pablo Picasso himself same, “Are we have a tendency to to color what is on the face, what is within the face or what is behind it?” His paintings redefined each face and eventually contributed vastly to the face of the painting fraternity. Here’s to all or any painter paintings that still enchant and fascinate US.

 

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āĻļāĻŋāĻ˛ā§āĻĒā§€ āĻŽāĻ‚ āĻŽāĻ‚ āϏ⧋ āĻāϰ āĻŦāĻŋāώ⧟āĻŦāĻ¸ā§āϤ⧁ āύāĻŋāĻ°ā§āĻŦāĻžāϚāύ, āĻŦāĻ¸ā§āϤ⧁āϰ āĻĻ⧃āĻļā§āϝāĻžā§Ÿāύ āϚāĻŋāĻ¤ā§āϰāϗ⧁āϞ⧋āϕ⧇ āĻĻāĻŋā§Ÿā§‡āϛ⧇ āύāĻŋāϜāĻ¸ā§āĻŦ āĻ¸ā§āĻŦāϤāĻ¨ā§āĻ¤ā§āϰāϤāĻžāĨ¤ āĻšā§€āύ⧇ āĻ—āĻŋā§Ÿā§‡ āϰāĻĒā§āϤ āĻ•āϰāĻž āϜāϞāϰāĻ‚ āĻāϰ āĻŸā§‡āĻ•āύāĻŋāϕ⧇āϰ āϏāĻžāĻĨ⧇ āĻ°ā§Ÿā§‡āϛ⧇ āĻāχ āĻĻ⧇āĻļ⧇āϰ, āĻāχ āĻŽāĻžāϟāĻŋāϰ āĻœā§‡āϞ⧇āĻĻ⧇āϰ āĻ•āĻ āĻŋāύ āĻœā§€āĻŦāύ āϝāĻžāĻĒāύ⧇āϰ āĻĒā§āϰāϤāĻŋāĻšā§āĻ›āĻŦāĻŋāĨ¤ āĻļāĻŋāĻ˛ā§āĻĒā§€ āϛ⧇āύ āϞāĻŋāĻ“Â  āĻŽāĻ‚ āĻŽāĻ‚ āϏ⧋ āĻāϰ āĻāχ āϏāĻŋāϰāĻŋāϜ āĻĒā§āϰāϏāĻ™ā§āϗ⧇ āĻŦāϞ⧇āύ, ‘āĻŽāĻ‚ āĻŽāĻ‚ āϏ⧋ āĻāϰ āĻ•āϰāĻž āĻ“ā§ŸāĻžāϟāĻžāϰāĻ•āĻžāϞāĻžāϰāϗ⧁āϞ⧋ āĻĻ⧇āϖ⧇ āĻĒā§āϰāĻĨāĻŽā§‡ āφāĻŽāĻŋ āϭ⧇āĻŦ⧇āĻ›āĻŋāϞāĻžāĻŽ, āĻšā§€āύ⧇āϰ āϕ⧋āύ āĻļāĻŋāĻ˛ā§āĻĒā§€āϰ āĻ•āϰāĻž āĻ•āĻžāϜāĨ¤ āĻ•āĻŋāĻ¨ā§āϤ⧁ āϤāĻžāϰ āĻŦāĻŋāώ⧟āĻŦāĻ¸ā§āϤ⧁āϗ⧁āϞ⧋ āĻĻ⧇āĻ–āĻžāϰ āĻĒāϰ āĻŦ⧁āĻāϤ⧇ āĻĒāĻžāϰāϞāĻžāĻŽ āĻāĻŦāĻ‚ āφāĻ—ā§āϰāĻšā§€ āĻšā§Ÿā§‡ āĻĒ⧜āϞāĻžāĻŽ āĻļāĻŋāĻ˛ā§āĻĒā§€āϰ āĻ•āĻžāĻœā§‡āϰ āĻāχāϏāĻŦ āĻŦāĻŋāώ⧟āĻŦāĻ¸ā§āϤ⧁ āύāĻŋā§Ÿā§‡āĨ¤ āĻļāĻŋāĻ˛ā§āĻĒā§€ āĻ…āϞāĻ• āϰāĻžā§Ÿ (āϏāĻžāĻŦ⧇āĻ• āĻĒā§āϰāĻĢ⧇āϏāϰ, āϚāĻžāϰ⧁āĻ•āϞāĻž āχāύāĻ¸ā§āϟāĻŋāϟāĻŋāωāϟ, āϚāĻŸā§āϟāĻ—ā§āϰāĻžāĻŽ āĻŦāĻŋāĻļā§āĻŦāĻŦāĻŋāĻĻā§āϝāĻžāϞ⧟) āĻŦāϞ⧇āύ, ‘āĻŽāĻ‚ āĻŽāĻ‚ āϏ⧋ āĻāϰ āϜāϞāϰāĻ‚ āĻ•āϰāĻžāϰ āĻŸā§‡āĻ•āύāĻŋāĻ• āĻšā§€āύ⧇āϰ āĻļāĻŋāĻ˛ā§āĻĒāĻ•āϞāĻž āĻĻā§āĻŦāĻžāϰāĻž āĻĒā§āϰāĻ­āĻžāĻŦāĻŋāϤ āĻšāϞ⧇āĻ“, āϤāĻžāϰ āĻŦāĻŋāώ⧟āĻŦāĻ¸ā§āϤ⧁ āĻāχ āĻŽāĻžāϟāĻŋāϰāĨ¤ āĻļāĻŋāĻ˛ā§āĻĒā§€ āĻĒāĻžāĻŦāϞ⧋ āĻĒāĻ•āĻžāϏ⧋ āϝ⧇āĻŽāύ āϏāĻĻā§‚āϰ āĻĒā§āϝāĻžāϰāĻŋāϏ⧇ āĻĨ⧇āϕ⧇āĻ“ āĻ›āĻŋāϞ⧇āύ āĻāĻ•āϜāύ āĻ¸ā§āĻĒ⧇āύāĻŋ⧟āĻžāĻ°ā§āĻĄ’āĨ¤ Songs of fishermen āϏāĻŋāϰāĻŋāĻœā§‡āϰ āĻ•āĻžāϜāϗ⧁āϞ⧋āϤ⧇ āĻŸā§āϰāϞāĻžāϰāϗ⧁āϞ⧋āϰ āĻ•āĻŽā§āĻĒā§‹āϜāĻŋāĻļāύ āϞāĻ•ā§āĻˇā§āϝāĻŖā§€ā§ŸāĨ¤ āĻĒā§āϰāϤāĻŋāϟāĻž āĻ›āĻŦāĻŋāϤ⧇ āϝ⧇āύ āĻ•ā§āϞāĻžāĻ¨ā§āϤ āĻĒāϰāĻŋāĻļā§āϰāĻžāĻ¨ā§āĻ¤Â  āĻŸā§āϰāϞāĻžāϰāϗ⧁āϞ⧋ āĻ›āĻŦāĻŋāϰ āĻĒā§āϰāĻžāĻŖāĨ¤Â 

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āĻļāĻžāĻ¨ā§āϤāύ⧁ āϚ⧌āϧ⧁āϰ⧀

āĻ¸ā§āĻŦāĻžāϧ⧀āύ āϞ⧇āĻ–āĻ•,āϚāĻŸā§āϟāĻ—ā§āϰāĻžāĻŽāĨ¤

āĻŦāĻšāύ āĻ•āϰāĻž āχāϤāĻŋāĻšāĻžāϏ-āύāĻžāϜāĻŽā§āϞ āĻšā§‹āϏ⧇āύ āĻāϰ āĻ•āĻŦāĻŋāϤāĻž

āĻŦ⧇āϞāĻ•āύāĻŋāϰ āωāĻĻāϰāĻ¸ā§āĻĨ āĻ•āĻĒā§‹āϤ āϤ⧜āĻŋā§Ž

āĻĒā§āϰāĻ¸ā§āĻĨāĻžāύ⧇ āĻ‰ā§œā§‡ āϗ⧇āϞ⧇āχ,

āϗ⧁āϞāĻŋāϰ āĻļāĻŦā§āĻĻ!

āĻāĻžāρāĻāĻžāϞ āĻļāĻ°ā§Ž āϏāĻ¨ā§āĻ§ā§āϝāĻž,

āĻŦāĻŋāĻĒāϰ⧀āϤ⧇ āĻā§āϞāĻŋā§Ÿā§‡ āϰāĻžāĻ–āĻž āĻŽāĻžāύ⧁āώ⧇āϰ

āĻŦāĻžāϰāĻŦāĻŋāĻ•āĻŋāω,

āĻ āĻžāĻ“āϰ āĻ•āϰ āύ⧀āĻšāĻžāϰāĻŋāĻ•āĻž āφāĻŽāĻžāĻĻ⧇āϰ

āĻšā§‹āĻ–āϗ⧁āϞ⧋ āĻ•āĻžāϟāĻž āϚāĻžāĻŽāϚ āĻšā§Ÿā§‡ āϝāĻžāĻšā§āϛ⧇

āĻŦ⧇āĻŽāĻžāϞ⧁āĻŽ āĨ¤

āĻ āĻžāĻ“āϰ āĻ•āϰ āφāĻŽāϰāĻž āĻ āĻŋāĻ• āĻŦāĻŋāĻĒāϰ⧀āϤ⧇

āĻŦāϏ⧇ āĻ—āĻŋāϞ⧇ āĻ–āĻžāĻšā§āĻ›āĻŋ āĻĒāϰāĻ¸ā§āĻĒāϰ⧇āϰ āĻĻāĻŋāĻ—āĻ¨ā§āϤ

āϰ⧇āĻ–āĻžāϰ āĻĒā§āϰāĻžāĻ¨ā§āϤ āĻŦāĻŋāĻ¨ā§āĻĻ⧁ āĨ¤āφāϰ āφāĻŽāĻžāĻĻ⧇āϰ

āύāĻžāĻ­āĻŋāĻ—ā§‹āϞāϕ⧇āϰ āĻ āĻŋāĻ• āωāĻĒāϰ⧇āχ āĻ“āϰāĻž

āĻŸā§‡āύ⧇ āĻĻāĻŋāĻšā§āϛ⧇ āϤāĻžāϰāĻ•āĻžāρāϟāĻžāĨ¤

āύāĻŋāϰ⧇āϟ āφāρāϧāĻžāϰ⧇āϰ āĻŦāĻŋāĻĒāϰ⧀āϤ⧇ āϰ⧁āϟāĻŋāϰ

āĻŽāϤ⧋ āφāϧāĻĒā§‹ā§œāĻž āĻŦāĻžāĻŦāĻžāϰ āĻŽā§āĻ– āĻ…āĻĨāĻŦāĻž

āϏāĻ‚āĻļ⧟ āφāĻŽāĻĻ⧇āϰ āĻŦā§‹āϧ āϗ⧁āϞ⧋āϕ⧇ āĻ•āϰ⧇

āϤ⧁āϞāϛ⧇ āĻ­āĻžāϤ⧇āϰ āĻĒā§āϞ⧇āϟāĨ¤

āφāχāϞāĻšā§€āύ āϚāϰ⧇ āĻœā§‡āϗ⧇ āωāĻ āϛ⧇ āĻĒā§āϰāĻĨāĻŽ

āĻŦāĻŋāĻĒā§āϞāĻŦ āĻ…āĻĨāĻŦāĻž āϚāϰ

āĻĻāĻ–āϞ⧇āϰ āϰāĻ•ā§āϤ⧇ āĻŽāĻžāϟāĻŋ āωāĻ°ā§āĻŦāϰ āĻĨ⧇āϕ⧇ āĻšā§Ÿā§‡

āωāĻ āϛ⧇ āφāϰ⧋ āωāĻ°ā§āĻŦāϰāϤāϰāĨ¤

āϏāĻšāϏāĻž āϏāĻžāĻ¸ā§āĻĨāĻŦāϤ⧀ āĻˇā§‹ā§œāĻļā§€āϰ āωāĻĻāĻžāĻŽ āĻŦāĻ•ā§āώ⧇āϰ

āĻŽāϤ⧋ āĻĢ⧇āĻĒ⧇ āωāϠ⧇āϛ⧇ āφāωāϏ⧇āϰ āϧāĻžāύ

āĻ•ā§āώ⧇āϤāĨ¤

āĻŽāχ āĻŦāĻŋāĻ›āĻŋā§Ÿā§‡ āύ⧀āĻšāĻžāϰāĻŋāĻ•āĻžāϰ āĻŦ⧁āϕ⧇āϰ

āĻ…āϞāĻŋāĻ¨ā§āĻĻ⧇ āωāϠ⧇ āφāϏāĻž āĻŦāϏāĻ¨ā§āϤ⧇ āĻ…āĻĨāĻŦāĻž

āĻŽāĻŋāĻ›āĻŋāϞ⧇ āĻāĻ­āĻžāĻŦ⧇āχ āύ⧇āĻŽā§‡ āφāϏ⧇ āϰāĻžāĻˇā§āĻŸā§āĻ°ā§€ā§Ÿ

āϏāĻ¨ā§āĻ¤ā§āϰāĻžāϏāĨ¤

āφāĻœā§€āĻŦāύ āĻŦāĻšāύ āĻ•āϰāĻž āϕ⧋āώ⧇āĻĻ⧇āϰ āĻŦāĻŋāĻĻā§āϰāĻš

āĻ…āĻĨāĻŦāĻž āφāρāϚāĻŋāϞāĨ¤

āϞāĻžāĻ āĻŋ, āϏ⧁āϰāĻ•āĻŋ, āĻŦāĻ˛ā§āϞāĻžāĻŽ, āύāĻžāύ⧀āϰ āĻ¸ā§āĻŦāĻĒā§āύ⧇āϰ

āϏāĻžāĻĻāĻž āĻ˜ā§‹ā§œāĻž,⧍⧭ āϤāĻŽ āϜāύāĻŽā§‡āϰ āĻ¸ā§āĻŽā§ƒāϤāĻŋāϰ

āĻĒā§āϰāĻžāϏāĻžāĻĻ⧇ āφāϚāĻŽāĻ•āĻž āĻ–āϏ⧇ āĻĒāϰāĻž

āĻāĻ•āĻ–āĻžāύāĻž āϞāĻžāϞ āχāϟāĨ¤

āύ⧂āĻĒ⧁āϰ⧇āϰ āĻļāĻŦā§āĻĻ!

āĻŦ⧟āϏ⧀ āĻŦ⧟āĻžāύ⧇āϰ āĻļā§€āϤāύāĻŋāĻĻā§āϰāĻž,

āĻļā§āϰ⧇āĻŖāĻŋāĻšā§€āύ āĻŽāĻžāύ⧁āώ⧇āϰ āĻšāĻ āĻžā§Ž āĻĢ⧁āρāϏ⧇ āĻ“āĻ āĻž

āĻŦāĻžāϰāĻžāĻ¨ā§āĻĻāĻž āĻ…āĻĨāĻŦāĻž āĻĻā§‹āϞāύāĻž

āĻĒāĻžāωāϰ⧁āϟāĻŋ āĻŦāĻŋāύāĻŋā§Ÿā§‡ āĻļāĻĒāĻĨ āĻ•āϰāĻŋā§Ÿā§‡

āύ⧇āĻ“ā§ŸāĻž āĻļā§āϰ⧇āĻŖā§€ āĻļāĻ¤ā§āϰ⧁āϰ āϘāĻžāϤāĻ• āĻ…āĻĨāĻŦāĻž

āĻŦāĻŋāĻĒā§āϞāĻŦā§€

āφāĻŽāĻžāϰ āĻ•āĻĒāĻžāϞ⧇ āĻĒāϰāĻŋā§Ÿā§‡ āĻĻāĻžāĻ“,āĻšā§‡

āĻŽāĻšāĻžāĻ•āĻžāϞ āĻ¸ā§āĻŦāϜāύ

āϘāĻžāϤāϕ⧇āϰ āϰāĻžāϜāϟāĻŋāĻ•āĻž, āφāĻŽāĻžāϰ

āϭ⧇āϤāϰ⧇āϰ āϕ⧁āϟ⧁āĻŽ āĻĒāĻžāĻ–āĻŋāϰāĻž āϏāĻ‚āĻļ⧟āĻŦāĻžāĻĻā§€

āĻšā§Ÿā§‡ āωāϠ⧇āϛ⧇āĨ¤āĻ…āĻĨāϚ āĻ•āĻŋ āύāĻŋāĻĻāĻžāϰ⧁āĻŖ

āĻŦā§āϝāĻžāĻĨāĻžā§Ÿ āĻāχ āϘāĻžāϤāĻ• āĻĒāĻžāĻ–āĻŋāϰāĻž, āϏāĻžāϰāĻž

āĻĻāĻŋāύ āϰ⧋āĻĻāύāϧāĻžāϰāĻžā§Ÿ āĻ­āĻŋāϜāĻŋā§Ÿā§‡ āϰāĻžāϖ⧇

āϰ⧋āϜāĻ•āĻžāϰ⧇āϰ āĻŦāĻžāϰāĻžāĻ¨ā§āĻĻāĻžāĨ¤

āχāĻļāϤ⧇āĻšāĻžāϰ-āύāĻžāϜāĻŽā§āϞ āĻšā§‹āϏ⧇āύ āύ⧟āύ āĻāϰ āĻ•āĻŦāĻŋāϤāĻž

āύāĻŦāĻžā§Ÿāύ āϝ⧋āĻ—ā§āϝ āχāĻļāϤ⧇āĻšāĻžāϰ⧇ āĻ•ā§āώ⧁āϧāĻž āĻšāϞ⧋

āĻāĻ•āĻŽāĻžāĻ¤ā§āϰ āφāϞāĻžāĻĒ⧇āϰ āωāĻ āĻžāύāĨ¤

āĻšā§‡ āύāĻŦāϜāĻžāϤāϕ⧇āϰāĻž,

āĻšā§‡ āφāĻŽāĻžāϰ,

āϕ⧋āώ āĻĨ⧇āϕ⧇ āĻŦāĻŋāĻ­āĻžāϜāĻŋāϤ

āĻ…āύ⧁āĻ•ā§āϰ⧋āώ,āĻāχ āĻŽāĻšāĻžāĻ•āĻžāϞ āϤ⧋āĻŽāĻžāĻĻ⧇āϰāĻ“

āĻŦāϏāϤ⧇ āĻĻāĻŋāĻŦ⧇ āĻ•ā§āώ⧁āϧāĻžāϰ āĻļā§€āϤāϞ āĻĒāĻžāϟāĻŋāϤ⧇āĨ¤ā§ˇ

āϝ⧇āĻŽāύ āϤ⧋āĻŽāĻžāϰ,

āφāĻŽāĻžāϰ,

āĻĒā§‚āĻ°ā§āĻŦāϏ⧁āϰ⧀āϰāĻž āĻāĻ–āύ⧋ āĻ­āĻžāϤ⧇āϰ āĻĒā§āϞ⧇āϟ āĻšā§Ÿā§‡

āĻŦāϏ⧇ āφāϛ⧇ āĻĻāĻ•ā§āώāĻŋāϪ⧇āϰ āĻŦāĻžāϰāĻžāĻ¨ā§āĻĻāĻžā§ŸāĨ¤

āĻ•āϞ āĻĒāĻžāϰ⧇ āĻĻāĻžāρ⧜āĻžāϤ⧇āχ,

āĻĻā§‡ā§ŸāĻžāϞ⧇āϰ āĻ“āĻĒāĻžāϰ⧇āϰ āĻ¸ā§āϞ⧋āĻ—āĻžāύ āĻļ⧁āύ⧇

āĻšāĻžāϤ āĻĨ⧇āϕ⧇ āĻ–āϏ⧇ āĻĒāϰ⧇ āφāĻ§ā§‹ā§ŸāĻž āĻĒā§āϞ⧇āϟāĨ¤

āĻĒ⧃āĻĨāĻŋāĻŦā§€ āϏāĻŽāĻžāύ āĻ­ā§‚āĻ–āĻŖā§āĻĄ āύāĻŋā§Ÿā§‡ āĻœā§‡āϗ⧇ āωāĻ āĻŋ

āφāĻŽāĻŋ,

āϤ⧋āĻŽāϰāĻž,

āφāĻŽāĻžāĻĻ⧇āϰ āĻŦā§‹āϧ,

āφāĻŽāĻžāĻĻ⧇āϰ āύāĻžāĻ­āĻŋāϰ āωāĻĒāϰ āĻĻāĻŋā§Ÿā§‡āχ āĻ“āϰāĻž

āĻŸā§‡āύ⧇ āĻĻā§‡ā§Ÿ āĻ•āĻžāρāϟāĻžāϤāĻžāϰāĨ¤

āϟāĻžāĻ•āĻŋ āĻļ⧁āϟāĻ•āĻŋāϰ āĻŽāϤ āĻā§āϞ⧇ āϝāĻžā§Ÿ

āĻĢ⧇āϞāĻžāύ⧀,

āĻāĻ•āϟāĻŋ āĻļāĻ™ā§āĻ– āϚāĻŋāϞ

āĻāĻ• āĻŽā§āĻ ā§‹ āĻŦāĻžāϤāĻžāϏāĨ¤

āĻĒāĻžāĻ–āĻŋāϟāĻŋāϰ āϜāĻžāύāĻžāχ āĻšā§Ÿ āύāĻž

āĻ•āĻ˛ā§āϞ⧋āϞāĻŋāύ⧀ āĻ•āϞāĻ•āĻžāϤāĻžāϰ āφāĻ•āĻžāĻļ⧇

āĻŦāĻžāϤāĻžāϏ⧇

āĻĢā§āϝāĻžāύ āĻĻāĻžāĻ“, āĻĢā§āϝāĻžāύ āĻĻāĻžāĻ“ āĻ•āϰ⧇

āĻœā§‡āϗ⧇ āωāϠ⧇āϛ⧇ āĻāĻ• āĻŽāĻŋāϞāĻŋāϤ āĻŽāĻžāύ⧁āώ⧇āϰ

āĻŦāĻŋāĻĒā§āϞāĻŦāĨ¤

āĻ…āĻĨāϚ āĻāϰ āφāϗ⧇āϰ āĻŦāĻ›āϰāχ

āĻ¸ā§āĻŦāĻžāĻ¸ā§āĻšā§‹āĻœā§āĻœā§āĻŦāϞ āϝ⧁āĻŦāϤ⧀ āĻŽā§‡ā§Ÿā§‡āϰ āϞāĻžāĻŦāĻŖā§āϝ⧇āϰ

āĻŽāϤ⧋

āĻ—ā§‹āϞāĻž āĻ­āϰāĻž āϧāĻžāύ⧇ āĻ­āϰ⧇ āωāϠ⧇āĻ›āĻŋāϞ⧋

āφāĻŽāĻžāϰ āĻĒā§āϰāĻŽāĻžāϤāĻžāĻŽāĻšā§€āϰ āĻˇā§‹ā§œāĻļ āĻŦ⧟āϏāĨ¤

āύāĻŋāĻĻāĻžāϰ⧁āĻŖ āĻŦāĻŋāĻˇā§āĻŽā§Ÿ āύāĻŋā§Ÿā§‡ āφāĻŦāĻžāϰ āĻœā§‡āϗ⧇

āωāĻ āĻŋāϛ⧇

āφāĻŽāĻŋ

āĻŽāĻšāĻŋāώ⧇āϰ āύ⧈āĻļāĻŦā§āĻĻ āĻšā§‹āϖ⧇āϰ āĻŽāϤ⧋

āϏāĻ°ā§āĻŦāĻšāĻžāϰāĻžāĻĻ⧇āϰ

āĻ¸ā§āϞ⧋āĻ—āĻžāύ⧇āĨ¤

āφāĻŽāĻžāϰ,

āϏāĻžāϤāĻžāĻļāĻŋ āϜāύāĻŽā§‡āϰ āϏāĻŦāϟ⧁āϕ⧁ āĻ›āĻžā§ŸāĻž āύāĻŋā§Ÿā§‡
āĻĻāĻžāρ⧜āĻŋā§Ÿā§‡

āϗ⧇āĻ›āĻŋ āϤ⧋āĻĻ⧇āϰ āωāύ⧁āύ⧇āϰ āωāĻĒāϰ,

āĻĢ⧁āĻā§ŽāĻ•āĻžāϰ⧇ āϏāĻŦāϟ⧁āϕ⧁ āφāϗ⧁āύ āĻ—āĻŋāϞ⧇

āĻ–āĻžāĻ“ā§ŸāĻžāϰ

āϏāĻžāϤāĻžāχāĻļ,

āϜāύāĻŽā§‡āϰ āϏāĻŦ āϟ⧁āϕ⧁ āĻŦā§‹āϧ āύāĻŋā§Ÿā§‡ āφāĻŽāĻŋ

āĻāĻ–āύ āĻĒā§ā§œā§‡ āĻ›āĻžāχ,

āφāĻŽāĻŋ āĻĒā§ā§œā§‡ āĻŽāϰ⧇āĻ›āĻŋ āĻ āĻŋāĻ•āχ

āϤāĻŦ⧇ āφāĻŽāĻžāϰ āϜ⧁āϤāĻžā§Ÿ āφāĻŽāĻžāϰ āύāĻžāĻŽ

āϞ⧇āϖ⧇ āĻ›ā§ā§œā§‡ āĻŽā§‡āϰ⧇āĻ›āĻŋ

āϤ⧋āĻĻ⧇āϰ āϏāĻ‚āϏāĻĻ āĻ­āĻŦāύ⧇ āϏ⧁āωāĻšā§āϚ āϚ⧁⧜āĻžā§ŸāĨ¤

āύāĻŦ āĻĻ⧃āĻˇā§āϟāĻŋ āύāĻŋā§Ÿā§‡ āĻ•ā§āϰāĻŽāϏ āύ⧀āϞ āĻĨ⧇āϕ⧇

āφāϰ⧋ āύ⧀āϞ āĻšāĻ“ā§ŸāĻž āφāĻ•āĻžāĻļ⧇āϰ āĻĻāĻŋāϕ⧇

āĻ…āĻ¸ā§āĻĨāĻŋāϰ āĻĨ⧇āϕ⧇ āφāϰ⧋ āĻ…āĻ¸ā§āĻĨāĻŋāϰ āĻšā§Ÿā§‡

āφāĻŽāĻŋ āĻ āĻŋāĻ•

āĻĒ⧌āρāϛ⧇ āϝāĻžāĻŦā§‹ āĻĒ⧃āĻĨāĻŋāĻŦā§€āϤ⧇ āĻĨāĻžāĻ•āĻž āφāĻŽāĻžāϰ

āĻāĻ•āĻžāĻ¨ā§āϤ āĻ—ā§āϰāĻžāĻŽā§‡āĨ¤

āĻˇā§‹ā§œāĻļā§€ āĻ—ā§āϰāĻžāĻŽ

āφāĻŽāĻžāϰ,

āφāĻŽāĻžāĻĻ⧇āϰ

āϏāĻŦāĻžāϰ, āĻļ⧇āώ āĻ…āĻļā§āϰ⧁ āϟ⧁āϕ⧁ āĻĢ⧇āϞāϤ⧇ āϤāĻžāϰ

āύāĻžāĻ­āĻŋāĻ•āĻŽāϞ⧇ āĻĢ⧁āϟāĻŋā§Ÿā§‡

āϰ⧇āϖ⧇āϛ⧇ āϏāĻžāϤāĻžāχāĻļāϟāĻŋ āĻ•āϞāĻŽāĻŋ āĻĢ⧁āϞāĨ¤

āϕ⧋āϞāĻžāϜ ⧍⧭- āύāĻžāϜāĻŽā§āϞ āĻšā§‹āϏ⧇āύ āύ⧟āύ āĻāϰ āĻ•āĻŦāĻŋāϤāĻž

āĻŦ⧇āĻœā§‹ā§œ āϏāĻ‚āĻ–ā§āϝāĻžā§Ÿ āĻ­ā§€āώāĻŖ āϰāĻ•āĻŽ āĻ¸ā§āĻĨāĻŋāϤāĻŋ

āύāĻŋā§Ÿā§‡ āĻ¸ā§āĻŦāĻĒā§āύ⧇āϰ āϤ⧃āĻ¤ā§€ā§Ÿ āĻ¸ā§āϤāϰ⧇ āĻœā§‡āϗ⧇ āωāĻ āĻŋ

āĻĒ⧃āĻĨāĻŋāĻŦā§€āϰ āύāĻŋāĻ°ā§āϜāύāϤāĻŽ āĻ—ā§āϰāĻžāĻŽā§‡āĨ¤

āϗ⧁āϟāĻŋāĻŦāϏāĻ¨ā§āϤ⧇āϰ āĻŽāϤ⧋ āφāĻŽāĻžāϰ āĻāĻ•āĻžāĻ¨ā§āϤ

āĻ—ā§āϰāĻžāĻŽā§‡āϰ āĻļāϰ⧀āϰ⧇ āĻœā§‡āϗ⧇ āĻ“āϠ⧇ āχāĻŦā§āϰāĻžāĻšāĻŋāĻŽā§‡āϰ

āĻœā§‹ā§ŸāĻžāϰ āωāĻ āĻžāύāĨ¤

 

āφāĻŽāĻŋ āĻ­āĻŋāώāĻŖ āϤ⧋āϰ⧇ āϏāϞāϤ⧇ āωāĻˇā§āϕ⧇

āĻĻāĻŋāϞ⧇ āĻĒā§ā§œā§‡ āϝāĻžā§Ÿ āĻĒāĻŋāϤāĻžāĻŽāĻšā§€āϰ āĻĻāĻ•ā§āώāĻŋāĻŖ

āĻšāĻ¸ā§āϤ āĨ¤ āφāĻŽāĻžāϰ āĻŦ⧁āϕ⧇āϰ āĻ āĻŋāĻ•

āĻŽāĻžāĻāĻ–āĻžāύāϟāĻžā§Ÿ āϞ⧁āĻ•āĻŋ⧟ āϝāĻžā§Ÿ āĻļā§€āϤāϞ

āĻŦāĻžāĻˇā§āĻĒ⧇āϰ āχāĻ›āĻžāĻŽāϤ⧀āĨ¤ āĻŽāĻžāϛ⧇āϰāĻž āĻŽāĻŋāĻ›āĻŋāϞ

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āĻŦāĻžāĻ—āĻžāύ āĻ˜ā§‡āρāώ⧇, āĻ—ā§āϰāĻžāĻŽā§‡āϰ āϏāĻŦāĻšā§‡ā§Ÿā§‡ āωāĻšā§āϚ

āϜāĻŽāĻŋāύ⧇āĨ¤āϝ⧇āĻ–āĻžāύ⧇ āĻŦ⧃āĻˇā§āϟāĻŋ āϜāϞ⧇āϰ āĻ¸ā§āĻĨāĻŋāϤāĻŋ

āύ⧇āχ āĻŦāϞ⧇ āĻ—āϜāĻŋā§Ÿā§‡ āωāϠ⧇āύāĻŋ āĻāĻ–āύ⧋

āĻŦ⧁āύ⧋āϘāĻžāϏāĨ¤

 

āφāĻŽāĻžāĻĻ⧇āϰ āϧāϰ⧇ āĻĢ⧇āϞ⧇ āĻŽāĻ¨ā§āĻĄāϞ āĻŦāĻžā§œāĻŋāϰ āϞāĻžāĻ āĻŋ⧟āĻžāϞ⧇āϰāĻžāĨ¤

āĻ“āĻĻ⧇āϰ āϞāĻžāĻ āĻŋ āĻĨ⧇āϕ⧇ āφāĻŽāĻžāĻĻ⧇āϰ āĻĻā§‚āϰāĻ¤ā§āĻŦ

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āĻŽāĻžāϤāĻž, āωāĻĻāϰ⧇āϰ āĻĻ⧈āĻ°ā§āĻ˜ā§āϝ āĻĒā§āϰāĻ¸ā§āĻĨ āύāĻŋā§Ÿā§‡ āύāĻŋā§Ÿā§‡āĨ¤

āφāĻĒāĻžāϤāϤ āϝ⧇ āϧāĻ°ā§āĻŽ āϏāĻ‚āĻ•āĻŸā§‡ āφāĻŽāϰāĻž,

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āφāĻ•āĻžāĻļ⧇ āĻŽā§‡āϘ āϏ⧁āϖ⧇ āĻĻ⧁āϖ⧇ āϝāĻžāϤ⧇āχ

āĻĄāĻžāϕ⧁āĻ• āύāĻž āϕ⧇āύāĨ¤āĻĒāĻžāĻ–āĻŋāϰāĻž āϝ⧇āĻŽāύ

āĻ—āĻžāϛ⧇āϰ āĻĒāĻžāϜāϰ āϏ⧇āϞāĻžāχ āĻ•āϰ⧇ āĻ¨ā§‡ā§Ÿ

āύāĻŋāĻœā§‡āϰ āφāĻŦāϰāĻŖāĨ¤āϤ⧇āĻŽāύ āĻ•āϰ⧇ āφāĻŽāϰāĻž

āĻŽāĻŋāĻļ⧇ āϝāĻžāχ

 

āĻ›āĻžāϤāĻŋāĻŽā§‡āϰ āĻĒāĻžāϤāĻžā§Ÿ,

āĻĢ⧁āϞ⧇,

āĻĢ⧁āϞ⧇āϰ āĻ—āĻ¨ā§āϧ⧇āĨ¤

āĻ›āĻžāϤāĻŋāĻŽ āϤāϞāĻžāϰ āφāϘāĻžāϤ āϗ⧁āϞ⧋ āĻ āĻŋāĻ•

āĻŽāύ⧇ āύāĻžāχ āφāĻŽāĻžāϰāĨ¤āĻ›āĻžāϤāĻŋāĻŽā§‡āϰ āĻ—āĻ¨ā§āϧ⧇

āĻŽāĻžāϤāĻžāϞ āĻšā§Ÿā§‡ āφāĻŽāĻŋ āĻ“āϜāύ āĻļā§‚āĻ¨ā§āϝ

āĻšā§Ÿā§‡āĻ›āĻŋāϞāĻžāĻŽ āĻ•ā§āώāĻŖāĻ•āĻžāϞāĨ¤

āĻ•āĻžāρāϟāĻžāϤāĻžāϰ āĻ•āĻŋ āφāĻŽāĻžāϰ āύāĻŋāĻļā§āĻŦāĻžāϏ⧇āϰ āĻ“āϜāύ

āϕ⧇āĻ“ āϤāĻžāϰ āĻŦā§āϝāĻžāϏāĻžāĻ°ā§āϧ⧇āϰ āĻĒ⧇āĻŸā§‡ āĻšāϜāĻŽ

āĻ•āϰ⧇ āύ⧇āĻŦ⧇

āĻšā§‡ āĻŽāĻšāĻžāĻ•āĻžāϞ???

āϜāĻžāύ⧇āύ āĻĻāĻžāĻĻāĻž –

āĻ¸ā§āĻŦāĻĒā§āύ⧇āϰ āĻŦ⧇āĻœā§‹ā§œ āϤāĻŽ āĻĒā§āϰāĻĨāĻŽ āĻ¸ā§āϤāϰ⧇ āĻ•āĻŋ

āύāĻŋāĻĻāĻžāϰ⧁āĻŖ āĻ…āϏāĻžāϰāϤāĻžāϰ āφāρāϧāĻžāϰ āύāĻŋā§Ÿā§‡

āĻāĻ–āĻžāύ⧇ āϏāĻ¨ā§āĻ§ā§āϝāĻž āύāĻžāĻŽā§‡āĨ¤ āϏāϞāϤ⧇āϰ

āωāĻˇā§āĻ•āĻžāύāĻŋāϤ⧇ āĻāϤ⧋ āĻāϤ⧋ āφāρāϧāĻžāϰ⧇āϰ

āĻĒā§āϰāϞ⧁āĻŦāĻĻā§āϧ āφāĻšā§āĻŦāĻžāύ āϝ⧇ , āĻŽāĻžāϛ⧇āϰ āĻĒ⧇āĻŸā§‡āϰ

āĻŽāϤ⧋āχ āωāĻœā§āĻœā§āĻŦāϞ āĻ āĻžāĻšāϰ āĻšā§Ÿ āϜāύāύ⧀āϰ

āĻŽā§āĻ–āĨ¤